Sonia's Television Blog

I have now been improving the material that is in my script. I have received some great feedback from Helen that really helped me understand how to write a script in full detail. Feedback; 1. Intro goes too far too quick – need to engage the viewer and let them get to know you and then your family. 2. You are not really setting up each person properly – they need introducing (either by themselves on camera, or in VO) 3. You need to corner turn more effectively between points/segments – you can’t just move onto the next thing without somehow writing out of the last thing first! 4. Your story focus is getting lost in the minutiae of your family story – don’t forget the real focus you told me about Buddhism in Poland etc – at present it is all too quick and neat and lacks context. 5. FAR TOO MUCH VO!!!   You need to talk on camera as well as use VO or it feels very odd – after all you are IN the film so why don’t we ever hear from you directly?   Makes it fe...

You really can't faulty the amazing talent found on Vimeo, yet again another touching documentary that I couldn't stop watching. This one in particular really touched me since I can relate to the situation. It is a touching story about an older woman who is really uncared for in a family home, older woman in Poland are always forgotten about or not cared about which is the sad truth in a lot of countries. This documentary did not have much commentary which made the story play on your emotions a lot more with the sounds and atmosphere around you. The focus is mainly on the older woman, you can feel her pain through the screen. The way she sits, the way she doesn't bother moving. No-one will speak to her or ask her how she is. One thing that really struck me in this documentary is the excessive ambient sounds, it really sets the scene. You have a lot of close ups and extreme close ups that focus on a lot of details such as feet, hands, eyes, mouth etc. I feel like this is...

I have been developing my Directors statement slowly, I am aiming to write a detailed piece of work - Not focusing so much on the word count but on the detail and material included inside the statement. I still have to re-write the directors statement to pick out spelling/grammar mistakes, I seem to be waffling a lot since I am trying to get as much detail and material inside the report. With the struggles that I have writing any form of a report/statement/essay I seem to repeat myself or not spot mistakes, this is a skill I lack. I try to read through the working making sure I am not missing something but I still have the paranoia. I have slowly been developing this taking my time to talk about each and every shot and my cinematic inspiration. I also want to include an expiation as to why I'm taking certain visual approaches towards the documentary. Some feedback I received for my Directors Statement; Information to be added; • Your cinematic inspiration and influences (this ...

Being a Director is a very difficult job, not only do you have a lot of responsibility in order to shoot the project but you also have to create your cinematic vision. Heart of darkness a filmmakers apocalypse, I first heard of this documentary from Simon - he mentioned that it's a brilliant watch and It really relates to the kind of documentary I will be filming. The directors here were Eleanor Coppola and George Hickenlooper, Eleanor is actually the wife of Francis Ford Coppola. The documentary shows the making of Apocalypse Now (1979) and the struggles they faced throughout filming such as script, shooting, budget, casting and nearly destroying a life and career of the celebrated director. The wife who was the director of Heart of darkness really wanted to tell the story from her perspective, it was a personal journey for her. It really links in with my documentary. Eleanor narrated the documentary which made it so much more personal, she also shows up on screen to describe ...

While thinking about my own personal story I was looking online for some inspiration on how to film a documentary properly, how do I make it look personal? How do I catch the audiences attention? This specific documentary did just that. The second I pressed play I wanted to know who this 'Manuel' is and why do I care what he does? They way the documentary starts so softly and gently gives you the impression that someone will be discussing their personal story. It begins with a montage of the travel to Manuel, this is what I am planning in my documentary. The one the title sequence begins while the car is music gives you the impression that we are on a journey to find something out. The jungle aerial shot and water-fall shot gives you an idea of where we are placed and the atmosphere around us. That's exactly how I want to go about my documentary, I want to introduce the audience into the story slowly and beautifully. The uplifting music makes you feel some what happy, I had...

Today I had my 3rd/4th tutorial with Simon in regards to my pre-production package, I am currently on a track to working on my directors statement and script - I need to develop it a lot more detail. Simon has mentioned that I have to explain why I want to film in a certain way, how will I film my interviews? Will they be sat down or will it be a casual actuality shot. I need to really express this in my directors statement. Simon has really expressed that I need to make my directors statement really details, I need to explain each and every action I take - I have no put aside my script to work through my directors statement. He also mentioned I should just do some simple shots of the interviews I'm planning to do, as well as transitions and the way I want to edit this documentary. He wants me to figure out if I will be talking to the camera or I will be off camera voicing over? I definitely want the camera to be following me on this journey e.g getting on the plane, in the t...

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